11/14/2022 0 Comments Amelie musical#AMELIE MUSICAL MOVIE#Composite Character: Gina in the movie was simply Amélie's coworker that helped bring her and Nino together towards the end.Her takeaway from this exchange is to disguise herself as a nun to return his book to him. Comically Missing the Point: Dufayel tells Amélie that she needs to muster the courage to talk to Nino or else she's better off joining a convent.So I will always think of her when I see it. His reasoning for doing so is even more expemplary. Comically Inappropriate Funeral Urn: After Amandine's funeral, Raphael decides to keep her ashes in a garden gnome.The green and yellow color scheme of the movie is featured prominently in the UK production, with the set comprising a green metro station with yellow lighting and promotional material using a similar palette.Color Motif: Amélie's association with the color red is worked heavily into promotional material for the Broadway production, including the official Playbill of the show.This is more prevalent in the West End production and others going onward with everyone wearing costumes of either muted, neutral, or monochrome colors. Color-Coded for Your Convenience: Amelie's costume is composed of bright reds and pinks in stark contrast to everyone else, which helps her stand out as the protagonist.Amélie herself was originated on Broadway by an Asian American actress. Color Blind Casting: Most of the characters in the film are caucasian, but throughout the show's history several people of color have played the roles.This gives her the resolve to let Nino inside so that they can begin a relationship. Chekhov's Skill: Dufayel's arc involving his obsession and inability to fully recreate Renoir's "Luncheon of the Boating Party" is resolved after "Stay", where he shows Amélie that he was finally able to paint an original work: a portrait of her.Her then-boyfriend had dropped her and with her circus career over, she decided to buy and run the 2 Windmills Cafe. Career-Ending Injury: Suzanne's limp comes from an accident during her time as a trapeze artist.Amélie begins with her verse and Nino responds with his. Call-and-Response Song: "Half Asleep" in the West End production depicts Amélie and Nino declaring their love for each other while on the train, not aware that the other is just a few feet away.Bookends: The West End production begins with Nino and Amélie exiting the photobooth separately and ends with them entering it together.Blatant Lies: Amélie tries to deny her identity when Nino comes to the 2 Windmills Cafe to meet her, even though he has a picture of her for comparison.
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